Available Works
A selection of works are currently available for acquisition.
For details and pricing, please use the Inquire button under each piece.
All inquiries are handled personally by the artist.
The Absence Me (2025)
📖 Now Available: Limited First Edition — only 90 copies worldwide
Artist book by Amir Zainorin
Conversation with Milo V. Poulsen
- Size: 9.5 (H) × 8 (W) inches
- Pages: 160
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Edition: 100 signed & numbered copies + 1 Artist Proof (A/P)
Publisher: Self-published with Kapallorek Artspace
A crossing between memoir and art, The Absence Me blends images of Amir Zainorin’s work with reflections on identity, memory, and displacement, in dialogue with his alter ego Milo V. Poulsen.
✨ Limited to 100 signed and numbered copies, with only 90 available to collectors worldwide. Each copy includes a certificate of authenticity. An additional 1 Artist Proof (A/P) is reserved by the artist and not for sale. Once sold out, this edition will never be reprinted.
Packages
🌱 Pre-Book Launch – DKK 1200 / € 160 / RM 800 ( Before 30th Sept. 2025)
- 1 signed & numbered copy
- 1 unique Color Theory artwork (approx. 24 × 20 cm)
- Certificate of Authenticity
- Editions 1–10 reserved for release at Kunstpakhuset, Denmark (27 September 2025)
- Remaining pre-orders ship from Malaysia Oct–Nov 2025
- Price excludes shipping (est. RM 50–80 Malaysia, RM 120–180 international)
🎨 Collector’s Package – DKK 1800 / €240 /RM 1,200
- 1 signed & numbered copy
- 1 unique Color Theory artwork (approx. 24 × 20 cm)
- Certificate of Authenticity
- From the 90 collector’s copies
- Shipped from Malaysia Oct–Nov 2025
- Price excludes shipping (est. RM 50–80 Malaysia, RM 120–180 international)
- 🌍 Patron’s Package – DKK 3730 / € 500 / RM 2,500
- 1 signed & numbered copy
- 1 unique Color Theory artwork (approx. A3 / 29.7 × 42 cm)
- Certificate of Authenticity
- Acknowledgment in future projects/publications
- From the 90 collector’s copies
- Shipped from Malaysia Oct–Nov 2025
- Price excludes shipping (est. RM 50–80 Malaysia, RM 120–180 international)
Edition Breakdown
- 5 copies → Malaysian libraries (signed & numbered)
- 5 copies → Kapallorek Artspace (signed & numbered)
- 90 copies → Available to collectors (signed & numbered, via packages above)
- 1 copy → Artist Proof (A/P) (reserved, not for sale)
✨ Only 90 collectors worldwide will ever hold this book. Pre-book now to secure your copy.
How to Reserve
To secure your copy of The Absence Me, please click the Inquire button below and indicate which package you prefer (Pre-Book Launch, Collector’s, or Patron’s). We will reply with confirmation, payment details, and shipping information.
👉 Click Inquire / Reserve to secure your copy of The Absence Me and indicate which package you prefer.
Title Self Portrait with Ibanese Rug
Medium: Acrylics on canvas | Year: 2021 | Size: 150 × 110 cm
Details:
“Self Portrait with Ibanese Rug” is rooted in my time in Miri, Sarawak. I bought the rug from an Ibanese family while staying in their longhouse during a video project on indigenous communities. Draping it across my face in this painting, I turn the rug into both mask and memory — a way of asking how heritage can conceal and protect, while also carrying stories of hospitality, tradition, and resilience. In this portrait, I become both myself and something beyond me: a figure woven from encounter, fabric, and place.
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Title Camouflage for the soul
Medium: Acrylics on canvas | Year: 2025 | Size: 160 × 200 cm
Details:
This piece explores themes of concealment and identity through organic camouflage patterns. The muted earth-tones and layered textures reflect the tension between what we protect and what we reveal. The work is hand-finished, signed by the artist on the reverse, and ready to hang.
Title Shop til u flop
Medium: Collage, acrylics on canvas | Year: 2006 | Size: 150 × 110 cm
Details:
This work was created using cuttings from old art magazines, combined with acrylic paint on canvas. The collage fragments — layered advertisements, artworks, and cultural images — echo the overload of consumer culture, where identity is shaped by mass imagery and the act of consumption. By reconstructing these fragments into new forms, the piece questions the boundaries between art, commerce, and daily life.