Works & Interventions
The Pavilion does not keep an archive of finished objects. It moves through fragments, trials, and rehearsals. Some works have appeared already; others are still on their way. Each is both an artwork and an activation—a test of how identity, memory, and belonging can be performed, broken, and reassembled.
Forthcoming Fragments
- Cartologica — Atlas fragments cut into circular forms, suspended and rotating. Maps collapse into orbits, coordinates without fixed nations.
- Color Theory — Bandages stretched along architecture, marked with absurd bureaucratic texts: BBBBlack is ordinary, WHITE = too much. A soft protest in fragile colors.
- Boot-ed / Blooming Boots — Old boots planted with cactus and orchid, balanced on boxes of atlas pages and colored film. Outsider vs. mainstream, survival vs. bloom.
- Gravity of Time — Cultural vessels placed on blocks of ice, falling as the ice melts. Some break, some endure, some collapse unseen. Time as erasure, memory as weight.
These works are not yet complete. They are planned interventions for forthcoming exhibitions. The Pavilion shows them here as drafts, possibilities, coordinates that may shift before arrival.
Festivals (Archive Link)
Past festivals (2018–2023) — including performances, screenings, and dialogues in Copenhagen and Venice — can be explored through the Stateless Mind Festivals Facebook archive →.
The Facebook archive remains a living record: posters, photos, and fragments of past gatherings.