Works & Interventions
The Pavilion does not keep an archive of finished objects. It moves through fragments, trials, and rehearsals. Some works have appeared already; others are still forming. Each is both an artwork and an activation—a test of how identity, memory, and belonging are performed, broken, and reassembled in practice.
Forthcoming Fragments
- Cartologica — Atlas fragments cut into circular forms, suspended and rotating. Maps collapse into orbits—coordinates without fixed nations.
- Color Theory — Bandages stretched along architecture, marked with absurd bureaucratic texts: BBBBlack is ordinary, WHITE = too much. A soft protest, carried through fragile colors.
- Boot-ed / Blooming Boots — Old boots planted with cactus and orchid, balanced on boxes of atlas pages and colored film. Outsider and mainstream, survival and bloom.
- Gravity of Time — Cultural vessels placed on blocks of ice, falling as the ice melts. Some break, some endure, some collapse unseen. Time as erasure, memory as weight.
These works are not yet complete. They exist as planned interventions for forthcoming exhibitions. The Pavilion shows them here as drafts, possibilities, and coordinates that may shift before they arrive.
Festivals (Archive Link)
Traces of past festivals (2018–2023) — including performances, screenings, and dialogues in Copenhagen and Venice — can be explored through the Stateless Mind Festivals Facebook archive →.
The Facebook archive remains a living record of posters, photos, and fragments from past gatherings.